
“An artist of remarkable talent, integrity, and intuition.”
“Joel is the trifecta: a giver, a listener, and a try-anything-er.”
ACTING
ACTING CREDITS
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BERKELEY PLAYHOUSE
A Christmas Story (Jean Shepherd), dir. Elizabeth McCoy
Fiddler On The Roof (Perchik), dir. Jon Tracy
Hairspray (Wilbur, Male Authority), dir. Daren A.C. Carollo
Peter & The Starcatcher (Black Stache), dir. Michael Socrates MoranCONTRA COSTA MUSICAL THEATRE
A Chorus Line (Zach), dir. Jennifer Perry
Disney’s Beauty & The Beast (LeFou), dir. Scott Denison
Grease (Vince Fontaine, 2005), dir. Jeff Collister
Grease (Vince Fontaine, 2017), dir. Christina Lazo
Guys & Dolls (Nathan Detroit), dir. Jennifer Perry
Oklahoma! (Ali Hakim), dir. Jennifer Perry
South Pacific (Luther Billis), dir. Scott Fryer
Titanic: The Musical (Edgar Beane), dir. Harvey Berman
Urinetown: The Musical (Officer Barrel), dir. Jeff Collister
CENTER REPERTORY COMPANY
A Christmas Carol (Fred), Dir. Scott Denison
A Midsummer Night’s Dream (Snug), dir. Michael Butler
Lucky Stiff (Uncle Anthony), dir. Robert Barry Fleming
Status Update (Keyboard Kat), dir. Becca Wolff
CONTRA COSTA CIVIC THEATRE
Barefoot In The Park (Paul Bratter), dir. Dennis Markam
Big River (The Duke), dir. Derrick Silva
DIABLO ACTORS ENSEMBLE
Butterflies Are Free (Don Baker), dir. Scott Fryer
Same Time, Next Year (George), dir. Scott Fryer
Someone Who’ll Watch Over Me (Edward Sheridan), dir. Clive Worsley
No Sex Please, We’re British (Peter Hunter), dir. Scott Fryer
EUGENE O’NEILL FOUNDATION (DAO HOUSE)
Exorcism (Ned), dir. Dan Cawthon
MURPHYS CREEK SHAKESPEARE FESTIVAL
Much Ado About Nothing (Verges), dir. Graham Scott GreenSAN FRANCISCO PLAYHOUSE
Guys & Dolls (Nathan Detroit), dir. Bill English
TOWN HALL THEATRE CO.
Bullshot Crummond (Bullshot Crummond), dir. Scott Fryer
Groucho: A Life In Revue (Harpo, Chico), dir. Jonathan Gonzales
Let’s Go To Casablanca (Trey), dir. Kevin T. Morales
Measure For Measure (Angelo), dir. Chris Parnell Hayes
Picasso At The Lapin Agile (Pablo Picasso), dir. Lisa Anne Porter
The Rainmaker (Bill Starbuck), dir. Derrick Silva
Rough Crossing (Dvornichek), dir. Kevin T. Morales
RAY OF LIGHT THEATRE
Assassins (Leon Czolgosz), dir. Jason Hoover
SHOTGUN PLAYERS
The Death of Meyerhold (Actor #8), dir. Mark Jackson) -
“DOLLHOUSE”—GOOGLE
”BIG GUYS”—HONDA
”DIABLO III”—GAMESPOT
”SMART SPACES”—CISCO
”ENGINEER”—AMERICAN BEAUTY PASTA
”LOOKING UP”—AMERICAN BEAUTY PASTA -
“THE MAJOR SCALE” (THE RAINBOW WARRIOR), PIXAR
”FORTUNATE SOLDIERS” (MARVIN), SOUTH NINTH PICTURES
”YOGIBOX” (YOGI), CREEPIFILMS
”CURLY” (CURLY), CREEPIFILMS -
SHELLIE AWARDS
Best Direction Of A Play—The Farnsworth Invention
Best Direction Of A Play—Angels In America: Millennium Approaches
Best Direction Of A Play—Angels In America: Perestroika
DIABLO MAGAZINE
Top 40 Under 40 In The East Bay
FILM AND COMMERCIAL representation: NYLO AGENCY
Member of actors equity association
ACTING BIOGRAPHY
The first play Joel can remember seeing was a production of “Fiddler on the Roof” at Diablo Valley College in 1986, where his father played the role of Tevye. At the age of 4 years old, he became obsessed with theatre.
Joel’s first play was in second grade, in a production of the musical “Cabbage Patch Dreams”. He played Colonel Casey, the narrator of the play and the stork that delivered the Cabbage Patch Kids. Over the course of his time in elementary, middle, and high school, Joel took part in over 40 productions, playing roles such as John Proctor in The Crucible, Claudio in Much Ado About Nothing, and Cyrano in Cyrano de Bergerac. His teachers in his youth were Jean Brown, Jim Macedo, and Kevin Cline.
His first play in community theatre was entirely due to nepotism. His father, David Roster, was directing a production of Bleacher Bums in Benicia, California, and cast his son as “The Kid”—a role with two lines right at the opening of the play. At 12 years old, Joel received a check for $50 for his participation in the play, and his mind was blown that he could receive money for doing what he loved. The summer after he left high school, at 17, he was cast in the Murphys Creek Shakespeare Festival repertory productions of Much Ado About Nothing and Romeo and Juliet—his first professional experience.
Accepted to Cornish College of the Arts in Seattle, but having no way to pay for tuition, Joel instead went to Diablo Valley College, where he studied acting from Beth McBrien, Douglas Dildine, Les Abbott, Ray Stansbury, Ed Trujillo, and, most notably, Jim Kirkwood (who studied directly from Stella Adler, Michael Chekov, Lee Strasberg, and Sanford Meisner).
Joel started performing in local community theatre productions in the fall of 2000 at age 17, and has since worked all over California with performing arts organizations. He is a proud member of Actors Equity Association—the professional union for actors and stage managers in North America.